吉尔达 Io Gilda-电影剧情介绍

分类: 剧情

Gina aka Gilda another nightclub girl lives out a fantasy as her Idol Rita Hayworth and romances her

分类: 剧情, 爱情, 惊悚, 黑色电影

　　老千约翰尼·法雷尔（格伦·福特 饰）来到阿根廷的首夜就遭遇了抢劫，幸而赌场老板巴林·蒙德森（乔治·麦克雷迪 饰）出手相救。约翰尼毛遂自荐为巴林工作，并从打手做到了经理。

分类: 剧情

　　A gorgeous woman (Monica Guerritore) finds her husband in bed with a complete stranger. Full of contempt, the woman leaves and embarks on an erotic discovery journey of herself. She meets a cartoonist with whom she plays out all her darkest ... Full Descriptionfantasies. But the love game soon deteriorates as the woman wants to prove her new lover that she can truly cross al...

分类: 剧情

　　Gilda loves cooking, men and life.

分类: 爱情, 音乐, 歌舞

　　吉赛尔（卡拉·弗拉奇 Carla Fracci 饰）出生在一个平凡的农户之家中，美丽的外表让她受到了当地守林人希来里昂的青睐，虽然希来里昂一直都在热烈的追求着吉赛尔，但后者对他却并无兴趣。

分类: 剧情

　　一个孤独的女孩生活在一个孤立、薄雾笼罩的农场，面对着一个陌生人的到来所带来的变化。。。

分类:

分类: 歌舞

　　本版是夫妻档合作，导演为前苏联莫斯科大剧院前团长Yuri Grigorovich，主演为该团前首席即Grigorovich的妻子Bessmeonova

分类: 音乐, 奇幻

　　吉赛尔（Alessandra Ferri 饰）是一名美丽的少女，她和名叫罗伊斯的男子坠入了爱河。

分类:

　　吉赛尔（Alina Cojocaru 饰）是一名非常美丽且单纯的农家姑娘，看林人希来里昂一直热烈的追求着她，但吉赛尔却并不喜欢这个小伙子。

分类: 剧情, 爱情

　　Considering all the critical attention Howard Hawks has received over the years it's rather surprising that this film, the sixth he directed, is so little known. Admittedly, FAZIL is not at all typical of Hawks' work and lacks most of his recognizable directorial motifs, and on top of that features stars whose names only buffs will recognize, but it's a beautifully filmed, sumptuously mounted late silent drama that's worth seeing for its production values alone. For viewers of our era the most striking aspect of the film is that its story is based on a culture clash of West vs. East, specifically, the difficulties that arise when a European (presumably secular) woman who prides herself on being 'free' and modern marries an Arab man who follows the old ways and is a devout Muslim. This material lies in a danger zone that Hollywood has rarely ventured into, even in recent years, and while to our eyes FAZIL is quite dated and very much a product of its time in its depiction of Arabic culture, it's nonetheless surprisingly even-handed in presenting both sides of the case in a painful divide that, needless to say, is still with us.
　　Two things make FAZIL distinctly un-Hawksian in comparison with most of the director's later work: the emphasis is on the central romance throughout, with only very brief action sequences, and the ending is tragic. Once our lovers meet in Venice we are given many long, languid close-ups of Fazil (Charles Farrell) exchanging looks of adoration with Fabienne (Greta Nissen). They fall in love at a dance --a hint of tragic foreshadowing for Shakespeare devotees-- and then share a gondola ride while the gondolier sings the film's theme, 'Nights of Splendor,' courtesy of the film's pre-recorded Fox Movietone score. But almost as soon as they are married the culture clash begins, and we never get a sense that the two will manage to overcome their differences: they have entirely opposite notions of what marriage is supposed to be. Fazil believes that love is possession, that a husband commands his wife, and he has no intention of adapting to Western customs, while Fabienne, who is French, considers herself a liberated woman and chafes under Fazil's possessiveness. Neither will compromise. Soon it's clear that tragedy lies ahead, and it's just a question of what exactly is going to happen and when.
　　However daring it may have been for Hollywood to tackle this subject matter in 1928 the prospect of an actual Arab actor taking the title role was apparently out of the question, so handsome young Charles Farrell was cast in the lead. They gave him a pencil-line mustache and darkened his skin slightly, and that was considered sufficient. Farrell gives the role his best shot although he's obviously no more Arab than Barry Fitzgerald. His performance is generally restrained and seems to improve as the film goes on, that is, after an early scene in which he indulges in unfortunate eye-popping histrionics when he first sees his leading lady. The beautiful Greta Nissen, who was Norwegian, might not have gotten this role in a talkie but she's perfectly well cast here, and gives a sensitive, nuanced performance. Both Fabienne and Fazil have their faults but neither is presented as the villain of the piece, which is refreshing but also deepens our sadness and frustration as their relationship falls apart.
　　This film isn't for all tastes, and Howard Hawks fans familiar with his later work may wonder if it was truly directed by the same guy who made THE BIG SLEEP and RIO BRAVO, but for viewers willing to adjust to a more romantic (even 'soapy') sensibility this is a movie well worth seeing, especially for those interested in the culture clash issues at the heart of the story, and in the way Hollywood has portrayed the Arab world. Film buffs interested in the late silent era will most definitely want to give this one a look.
　　FAZIL is a slow paced film about an Arab prince falling in love with a French blonde bombshell. The culture difference between modern Paris and the old culture of the primitive hot desert makes marriage life difficult for the characters played by Charles Farrell and Norwegian blonde Greta Nissen. FAZIL was distributed as the sound era was breaking its silence and the film seems a bit old fashion for its time. But Fazil has some beautiful close ups of its stars and the music throughout is moody. Worth seeing for Howard Hawks direction and a glimpse of Nissens beauty. Apparently Hawks had problems convincing Farrell and Nissen to make their love scenes more steamy. So he toke them both aside and told them separately to get busy. The advice paid off. Next project for Greta Nissen was as leading lady in Howard Hughs HELLS ANGELS which first was filmed as a silent. He decided to re-shoot the dialog with sound but Nissens heavy Norwegian accent did not fit the role as an English Lady. She was replaced by newcomer Jean Harlow. FAZIL was thought lost, but has surfaced and become in demand at various film festivals.

分类:

　　Filmed in a studio for the English television channel ATV in 1979; this version of Giselle with Lynn Seymour was made a little late in Nureyev’s career. Only account on film of the unabridged version of the ballet with Nureyev.

分类: 剧情, 惊悚

　　年轻漂亮的女教师加尔吉正沉浸在即将结婚的甜蜜气氛中，她的父亲突然被指控参与强奸9岁女孩，她踏上了一场证明父亲清白的艰难之路。

分类: 舞台艺术

　　Giselle is a quintessential artefact of 19th-century European Romanticism, a brooding two-act drama in which eroticism and death each claims its act. Giselle, a delicate village beauty, loves to dance. A prince, disguised as a commoner, is entranced and woos her away from her devoted suitor. They fall in love, but before he has the chance to disentangle himself from an inconven...

分类: 短片

女儿达里诺尔也不知去向。正当丁连海彷徨无措的时候，一个浓妆艳抹打扮张扬的年轻女孩（沈陶然 饰）找到丁。她自称是达里诺尔的同事，更被达里诺尔卷走全部存款。女孩开价五百，答应帮丁寻找女儿。