一战以前,影院的的艺术家和诗人往往都是激进分子,他们热衷于拍电影并把这种艺术形式向新的方向发展,他们被排除在艺术领域和电影工厂之外,像是被困在一座孤岛上,他们大胆的创造出自己的电影世界并拥有一个自己的工作网络,并作出了不可估量且有力的贡献
This feature-length documentary provides a vivid, eye-opening, and appropriately personal introduction to one of the most important, yet perpetually marginalized, realms of filmmaking: avant-garde cinema.
Achieving the near-impossible task of doing justice in ...
Not a documentary in the strictest sense of the word. Rather, it is a journey through the world of the artist Jonas Mekas - one of the exponents of independent U.S. movies; founder and director of the New York Anthology Film Archive.
My film diaries 1970-1979: my marriage, children are born, you see them growing up. Footage of daily life, fragments of happiness and beauty, trips to France, Italy, Spain, Austria. Seasons of the year as they pass through New York. Friends, home life, nature, unending search for moments of beauty and celebration of life friendships, feelings, brief moments of happiness. The fi...
"Sexual witchcraft involving two couples and a 'medium' cat." -S.B.
美国实验电影人Stan Brakhage
斯坦·布拉哈格(Stan Brakhage)1933年生于美国密苏里州堪萨斯城,后在圣弗朗西斯科美术学院学习。
影片是一部影人传记式的纪录片,《玛雅黛伦的魔镜》(In the Mirror of Maya Deren)是一位醉心于实验电影的女导演玛蒂娜库拉席克,追溯前辈玛雅黛伦生平的作品,玛雅黛伦不仅对前卫电影与女性电影多有启发,她对巫毒教的热中,也是这部片的另一条重要线索。
One hundred and sixty portraits or rather appearances, sketches and glimpses of avant-garde, independent filmmakers and film activists between 1955 and 1996.
Why BIRTH OF A NATION? Because the film independents IS a nation in itself. We are surrounded by commercial cinema Nation same way as the indigenous people of the United States or of any other country are surrounded by Rul...