风暴之后 Ang Pagpakalma sa Unos-电影剧情介绍
风暴之后 Ang Pagpakalma sa Unos-电影演员表
全部(0) >风暴之后 Ang Pagpakalma sa Unos 电影-相关推荐
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风暴之后 Ang Pagpakalma sa Unos
A girl's voice divulges bits and pieces of her own memory of her grandmother and mother to tie in the experiences she felt visiting this ravaged port city.
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Ang Huling Birhen sa Lupa
A fake priest and a prostitute connive to stage a hoax to pocket money from the church donations... unaware that a real miracle will come their way that will drastically change their lives. When Martin (Manalo), an ex-convict, assumes the identity of Father Eman, the people from the town accepted him. But then he falls for Lorena (Mina), the town prostitute and reveals his true...
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风暴中的孩子 Mga Anak Ng Unos
分类: 纪录片电影
The Philippines is visited by an average of twenty to twenty eight strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Yolanda (Haiyan), considered the strongest storm in history, struck the Philippines, leaving in its path apocalyptic devastation.
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风暴之舰 Stormchasers
MacGillivray Freeman Films 公司制作的这部令人振奋的宽幅电影,让我们追随着风暴之舰的脚步,走进地球上最为恶劣的天气现象中探个究竟。
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风暴之土 Viharsarok
博尔奇(Zita Téby 饰)是一名非常年轻的足球运动员,在德国训练时,他同自己的队友伯纳德(塞巴·乌泽多夫斯基 Sebastian Urzendowsy 饰)之间的关系十分的要好。
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粪坑中的女人 Ang babae sa septic tank
分类: 喜剧片电影
The film chronicles a day in the life of three ambitious, passionate but misguided filmmakers as they set out to do a quick pre-production, a courtesy call to their lead actress, Eugene Domingo, and an ocular inspection of their film’s major location, the Payatas dumpsite. Director Rainier (Kean Cipriano), Producer Bingbong (JM De Guzman) and Production Assistant Jocelyn (Cai C...
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风暴之门 Грозовые ворота
然而,由泰姆拉率领的车臣叛军竟有千人之众。面对敌人的疯狂进攻,他们进行着顽强不屈的抵抗。最后,大家壮烈牺牲。多罗宁在临死前,脑海中浮现出与女友阿利桑德罗道别时的情景。
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失去自我的女人 Ang Babaeng Nawawala Sa Sarili
阿比娜和三个想要她的男人纠缠在一起: 她的追求者,她的前男友和她的老板。但还有一个人想控制她把她变成一个性怪物。
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不属于我们的月光 Hindi sa atin ang buwan
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Shot with a consumer-level video camera over a holiday in Bohol, the film is completely without sound and in black and white. It is mostly footage of travel, chaotic and rapid at first before settling into a more relaxed pace, relaying feelings of distance, resignation and sadness.
On the itineraries of lost love, and the all-consuming luminosity of our eventual sadness.