机械怪兽 Robot Monster-电影剧情介绍

分类: 科幻

分类: 动作, 恐怖

　　On January 15, 2008 the truth will finally be told.
　　After a massive earthquake in Tokyo, two American filmmakers document their experience as they attempt to escape from the decimated city.
　　For the first time, this film will present the heroic sisters’ raw footage, which finally reveals the true cause of the destruction.
　　Was the original footage lost… or was it suppressed?

分类: 科幻

　　50年前的一场核子战争几乎摧毁了人类，战争已经被废止，两国之间的领土争端通过机器人单挑来解决，同盟国机器人战士亚历山大，已经接连杀死了合纵国的九位机器人战士，为了争夺阿拉斯加，下一场战斗合纵国非胜不可

分类: 喜剧, 科幻, 恐怖, 冒险

　　A young European boy living in San Francisco is reluctant to marry his long-term girlfriend because he wants to travel around the world first. His wealthy uncle agrees to send him on a global expedition aboard his ship, but en route the boy and his travelling companion are shipwrecked on a remote island, populated by countless prehistoric creatures as well as gold-hunting bandi...

分类: 动画, 悬疑, 惊悚, 恐怖, 奇幻

他整天觉得对面街的老头子的那座荒废的老屋阴森怪气，附近的一些物体经常不翼而飞。经过详细观察，DJ发现原来失踪的物品都被老屋吃了，那么老头子失踪的老伴应该都是被吃了，DJ心想。

分类: 剧情, 惊悚, 传记, 犯罪

　　由Fenton Bailey和Randy Barbato于2003年执导的《Party Monster》电影，是改编自他们于1998年同名的得奖纪录片。

分类: 喜剧, 动作, 奇幻

这是，小镇上出现了一个类似章鱼的大怪兽，不知道从哪里来，但是这头怪兽竟然能躲进卢卡斯的卡车里，并且和卡车融为一体，就这样，卢卡斯拥有了惊世骇俗的怪兽卡车，去到哪里都是如履平地、所向披靡。

分类: 剧情, 惊悚, 犯罪

　　知名电视财经专家李·盖茨（乔治·克鲁尼 George Clooney 饰）在电视财经节目《金钱怪兽》中担任主持人而声名大噪，在节目中经常出现疯狂举动，会大声说出投资建议，不时在节目中用搞笑的道具和音效介绍股市

分类: 科幻

分类: 喜剧, 爱情, 家庭

　　自古婆媳关系大多棘手，查丽（詹妮弗·洛佩兹 Jennifer Lopez饰）也遇上了同样的问题。当她就要和男友凯文（迈克尔·瓦尔坦 Michael Vartan饰）百年好合时，却遇到了一个严峻的问题：凯文的妈妈菲尔茨太太（简·方达 Jane Fonda饰）对这个未来儿媳另有意见。菲尔茨太太曾经拥有体面的事业，然而如今她把全部的爱和心思都摆在儿子身上，不能接受查丽的“入侵”。
　　菲尔茨太太联同助手一起，千方百计地要把查丽这个不速之客赶走，查丽好不容易才觅得如意郎君，当然不能束手就擒，招数一来一往，两方都在暗处开始较量。

分类: 喜剧, 动画, 恐怖, 歌舞, 家庭, 奇幻

　　喜欢经典的弗兰肯斯坦怪兽故事吗？还有木乃伊、哲基尔医生（英国小说《化身博士》的主人公）、狼人和隐身人？他们都会出现在这部90分钟的动画影片中——怪兽大聚会。

分类: 剧情

　　17岁的荣誉学生及电影界新星史蒂夫却被控一级谋杀，在不肯认罪的情况下发生了一连串离奇的事件。电影讲述了他一系列的心理转变。

分类: 短片

在机器人眼里，人类总是将失去的东西看得最为珍贵，而不论在精神上还是肉体上，“自由呼吸”都被人类视为最高追求。也许争夺到“自由呼吸”权，才能不虚此刻……

分类: 动画

　　ゾイドとは、銀河の彼方に生息する、戦う意思を持った金属生命体である。
　　惑星が最後を迎え、人類は第二の故郷として地球を目指すが、ゾイド因子の暴走と不慮のタイムワープで、突如、21世紀の地球にゾイドが出現。ゾイドによる破壊と度重なる地殻変動で地球は一度滅びた。
　　レオは自ら発掘したビーストライガーを相棒に、地球の未来を左右する少女サリーと冒険の旅に出発した。

分类: 喜剧

　　迪兰·莫兰，爱尔兰著名喜剧演员、脱口秀表演者，英剧《布莱克书店》的编剧和主演。
　　16岁辍学，当过酒鬼诗人和花匠。20岁时观看Ardal O'Hanlon等人表演的激发下，登上一个能容纳50名观众的小剧场舞台开始了单口相声的表演生涯。24岁时，莫兰成为了著名的爱丁堡艺术节皮雷喜剧奖（Perrier Comedy Award）有史以来最年轻的获奖者。之后开始接拍影视剧之后，迪兰也没有放弃自己的舞台表演生涯。他在2007年被英国Channel 4评为“百位最伟大的单口相声表演者”第17名，2010年上升至14名。他还曾被法国的《世界报》誉为“有史以来诞生的最伟大的喜剧演员”。
　　莫兰担任编剧和主演的《布莱克书店》曾两度获得英国学院奖最佳情景喜剧。他还同西蒙·佩吉等人一起出演过影片《僵尸肖恩》、《肥仔快跑》。2007年，他出演了爱尔兰导演伊安·费兹本执导的黑色喜剧影片《一部有我出镜的影片》。私生活方面，目前莫兰已婚，育有一子一女。

　　No music reviewer would make a career writing about pianists solely from repeated performances of a single concerto, nor any pianist out of playing just the one piece. Yet sometimes writing about stand-up comedians can feel worryingly like this. They all hit more or less the same notes: London... young people... children and parenthood... today's dreadful music... religion... growing up in Ireland (obviously not every comic includes this movement, though sometimes it feels like it)... finishing off with differences between men and women, usually with reference to naughty bits and/or naughty business. The difference lies in the phrasing, the flourishes, the individual expression brought to the work by the performer. 　　Dylan Moran, appearing for seven nights at the West End's Palace Theatre while it spends the summer between blockbuster musicals, plays the standard concerto. It's in the phrasing that his skill resides. His slurred, bellowing delivery and shambling, half-cut persona (although in almost two hours he put away perhaps a third of a glass of white wine) are no longer as novel as they once were, but they belie a greater than average discipline in his material.
　　Moran certainly has a gift for the surreal image and the unexpected adjective, but his spontaneous flights of fancy are brief and a little diffident. He prefers to hone his phrases and seems to script them quite tightly; like a snooker player, he can control exactly the angle at which the ball will come off the back cushion. At times he simply sounds like an early-middle-aged grouch, berating young people for 'texting each other because they've given up on speech', but when he stretches out and lets fly with his magnificent vocabulary, he's in a different league. He can use a near-nonsense word like 'quadrangulate' meaningfully, or wonder about Ann Widdecombe's voice, 'How do you get that many fingernails on one blackboard?' Sometimes the word-images work through bizarreness, sometimes they're simply there to add colour or emphasis in unexpected ways: a granny mentioned in passing is so much less prosaic when she's an emphysemic granny. And the mere phrase 'fellating a Smurf' is as euphonious as the image it evokes is disconcerting.
　　Moran's growing film and TV career are vying with his live work for supremacy now, and indeed he's slightly less appealing a performer on stage than one might expect. But the words, oh, the words...!
　　Written for the Financial Times.