这部游走于回溯和想象,文字和移动影像之间的创作是基于电影的电影,也是将电影和电影装置(apparatus)再物质化的尝试。
電影拍了一半卻因疫情而暫停。作者困在紐約,感到前所未有的迷茫。 在這靜止實則流逝的時間裡,重新凝視創作的影像:拍好的電影片段、手機裡的日常及街頭拍攝的照片。
Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery o...
星空盛典影业发布会,[未完成的童话]导演光良、胡升忠与监制黄志明出席。
Alastair Sooke explores the mysterious appeal of unfinished works of art. From Dickens's unfinished The Mystery of Edwin Drood and Jane Austen's Sanditon to Coleridge's Kubla Khan, he talks to those who have attempted to finish these literary enigmas and those who believe that any such task is impossible.
In a film that picks through literature's leftovers, Sooke explores the m...
这是我在甘肃古浪黄羊川拍摄的"甘肃的意大利"系列的第三部,纪录的主要是我在当地认识的朋友和熟人们的生活,他们主要是镇上中学的老师,还有一些原来在这个学校工作,后来调入县里,总之,都是一些有公干的人,
理想主义者的记者Ozan即将与同职业的Elif结婚。 Ozan在追踪一个神秘而艰难的新闻。 然而一场交通事故夺走了Ozan的生命。 但是,受上天垂怜,Ozan借尸还魂,以他人的身体重生。
“A fascinating tale of visionary aesthetics and… sublime structures” – Steve Dollar, THE WALL STREET JOURNAL
In 1961, three young, visionary architects were commissioned by Fidel Castro and Che Guevara to create Cuba’s National Art Schools on the grounds of a former golf course in Havana, Cuba. Construction of their radical designs began immediately and the school’s first class...
The unique film set within a Karaja village in Brazil's Mato Grosso, Jim Jarmusch listens while Sam Fuller describes the 1950's "Tigrero" movie that he was unable to make. It also profiles the Karaja people. The non-film "Tigrero" had a fascinating history. The name was purchased off a novel by 20th Century Fox by Darryl F. Zanuck. Screen writer Fuller was sent to Brazil to com...
Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.