南方小鸡：闭嘴只唱 Dixie Chicks: Shut Up and Sing

类型：纪录片电影, 音乐片电影, 传记片电影

导演：芭芭拉·卡颇, 塞西莉亚·派克   编剧：

主演：娜塔丽·麦恩斯, 艾米莉·罗比森, 玛蒂·马盖里

　　A documentary on the Dixie Chicks in the wake of singer Natalie Maines' anti-George W. Bush statement at a 2003 concert.

美国哈兰县 Harlan County, U.S.A.

类型：纪录片电影

导演：芭芭拉·卡颇   编剧：

主演：John Corcoran, 约翰·奥莱利, Tom Williams, Ken Yablonski

　　简介：该片以真实电影的手法描绘哈连郡矿场的罢工事件，是劳工议题电影中的经典之作。导演曾跟随梅索兄弟多年，协助录音并学习拍片，后开始从事独立拍片的工作，至今已三十年。

野人蓝调 Wild Man Blues

类型：纪录片电影, 音乐片电影

导演：芭芭拉·卡颇   编剧：

主演：伍迪·艾伦, 宋宜·普列文

　　《野人蓝调 Wild Man Blues》导演：Barbara Kopple主演：伍迪·艾伦。影片讲述的是伍迪·艾伦带领新奥里纽乐团到欧洲巡演的情形收录的纪录片。
　　In 1996, with his public image at a low ebb after a messy breakup with Mia Farrow, clarinetist and filmmaker Woody Allen set off on a tour of Europe with his New Orleans jazz band. Accompanying him were his sister, his soon-to-be wife Soon-Yi Previn, and Oscar-winning documentary maker Barbara Kopple. Like Allen says as the beginning of the tour,'Theoretically, this should be fun for us.'
　　Woody Allen has always been more widely appreciated in Europe than in the U.S., so it's no surprise that the concerts quickly provoke the kind of fan hysteria usually reserved for rock stars. This star however is clearly not comfortable with his fame. Whether he's giving a tour of his lavish hotel suite or prodding at an unexpectedly dry omelet, the director seems profoundly ill at ease and sometimes--when trapped by a crowd or harassed by a particularly persistent photographer--he appears to be both frightened and angry at the way celebrity shapes his life. The pressure to be funny on cue is the bane of any comedian's life, of course, and for Allen the seemingly endless round of receptions and parties is something to be endured, not enjoyed. In the face of this, the mutual support and affection shared by Allen and the woman he introduces as 'the notorious Soon-Yi Previn' comes across as both genuine and absolutely necessary. When they are together, he is at his funniest, and his least guarded.
　　What persuaded such a private artist to allow such a documentary to be made? Perhaps it was a desire to celebrate his love of music, something that appears to sustain him as much as his relationship with Soon-Yi. He may refuse to bob his head and tap his feet to please his audience, but when he launches into a soaring solo we finally see Allen at ease, transported by the thrill of playing jazz. --Simon Leake