الفيلم رقم واحد وعشرون-电影剧情介绍
The growing struggle for Palestinian self-determination between 1960 and 1980 was supported by radical left-wing movements worldwide, also in Japan. This is illustrated by a collection of 16mm films by militant filmmakers from various countries, which were dubbed and screened in Japan. Their Japanese audiences felt oppressed by the US after World War II, and not only sympathize...
الفيلم رقم واحد وعشرون-电影演员表
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الفيلم رقم واحد وعشرون
分类:
The growing struggle for Palestinian self-determination between 1960 and 1980 was supported by radical left-wing movements worldwide, also in Japan. This is illustrated by a collection of 16mm films by militant filmmakers from various countries, which were dubbed and screened in Japan. Their Japanese audiences felt oppressed by the US after World War II, and not only sympathize...
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羞辱 قضية رقم ٢٣
分类: 剧情片电影
一人是黎巴嫩基督徒,另一人是巴勒斯坦难民,两人因口角摩擦走上法庭。这场斗争在媒体的推动下引发了全国范围的大动荡。看似两人之间的小事,实际上牵扯出整个中东的政治及信仰问题,由此影片引发人们有关真相、信仰、人性与和平的思考。男主卡梅尔·巴沙凭借此片夺得威尼斯电影节沃尔皮杯最佳男演员。
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我们的终章 آخر واحد فينا
分类: 剧情片电影
N is crossing the desert to reach the north of Africa and make an illegal crossing to Europe. After a robbery, he finds himself left alone in Tunisia.
Finally, he decides to cross the sea alone towards a European country. He will steal a boat and begin his journey, except that the ship breaks down in the middle of the sea.
From that moment on, N will undergo a special and uniqu...
熊仔俠 2022-04-29 11:45:28
胶卷档案整理,算是在呈现形式和内容上获得比较好的平衡。能从中窥探出日本和巴勒斯坦的微妙关系。听说这部片在欧洲引发了争议,拜托,都什么年代了。当然,讲到巴勒斯坦是绕不开若松和足立。不过有意思的是,关注中东的日本独立导演还真不少,如土井敏邦&古居みずえ(巴勒斯坦)、绵井健阳(伊拉克)、西谷文和(阿富汗)。《御巢鹰山》开头还有映射日本和伊朗核层面合作的片段……