邱吉尔：好莱坞年代 Churchill: The Hollywood years

类型：喜剧片电影, 战争片电影

导演：彼得·理查德森   编剧：彼得·理查德森, Pete Richens

主演：克里斯蒂安·史莱特, 内芙·坎贝尔, 哈里·恩菲尔德, 安东尼·舍尔, 大卫·施奈德, 罗曼尼·马尔可

　　二战时期，英国首相邱吉尔带领英国人民坚定顽强地同法西斯德国进行着旷日持久的战斗。这位叱垞风云的铁血首相，以固执顽强、永不退缩的作风而闻名。他那与其简陋外表极不相称的完美、煽动力极强的口才更是在历史上留下了浓重的一笔。因而历史上对于邱吉尔这一风云人物历史形象的真实性极富争议，猜测各异。
　　本片在史实的猜测上独僻蹊径，将二战人物重新包装演绎：年轻英俊的美国海军陆战队中尉邱吉尔、赶时髦的法西斯元凶希特勒以及他爱吃醋的情妇、小丑一般的部下，连同年老昏花的英国皇室们，众多耳熟能详的历史巨头集聚一堂，上演一幕"超级女生式"的PK战。
　　在啼笑皆非中，再次感受那个年代的风云变幻和儿女情长……

维吉尔 Vigil

类型：剧情片电影

导演：文森特·沃德 Vincent Ward   编剧：Graeme Tetley, 文森特·沃德 Vincent Ward

主演：Penelope Stewart, Frank Whitten

　　一个孤独的女孩生活在一个孤立、薄雾笼罩的农场，面对着一个陌生人的到来所带来的变化。。。

吉尔达 Gilda

类型：剧情片电影, 爱情片电影, 惊悚片电影, 黑色电影片电影

导演：查尔斯·维多   编剧：马里昂·帕森尼特, 乔·艾辛格

主演：丽塔·海华斯, 格伦·福特, 乔治·麦克雷迪, 约瑟夫·卡利亚, 史蒂文·杰雷

　　老千约翰尼·法雷尔（格伦·福特 饰）来到阿根廷的首夜就遭遇了抢劫，幸而赌场老板巴林·蒙德森（乔治·麦克雷迪 饰）出手相救。约翰尼毛遂自荐为巴林工作，并从打手做到了经理。

吉赛尔 Giselle

类型：爱情片电影, 音乐片电影, 歌舞片电影

导演：Hugo Niebeling   编剧：Jules-Henri Vernoy de Saint-Georges, Théophile Gautier

主演：卡拉·弗拉奇, 埃里克·布鲁恩, Bruce Marks, 托妮·兰德

　　吉赛尔（卡拉·弗拉奇 Carla Fracci 饰）出生在一个平凡的农户之家中，美丽的外表让她受到了当地守林人希来里昂的青睐，虽然希来里昂一直都在热烈的追求着吉赛尔，但后者对他却并无兴趣。

吉赛尔 Giselle

类型：音乐片电影, 奇幻片电影

导演：Alexandre Tarta   编剧：Jules-Henri Vernoy de Saint-Georges, 特奥菲尔·戈蒂埃

主演：Alessandra Ferri, Massimo Murru, Maurizio Vanadia

　　吉赛尔（Alessandra Ferri 饰）是一名美丽的少女，她和名叫罗伊斯的男子坠入了爱河。

吉赛尔 Жизель

类型：歌舞片电影

导演：Yuri Grigorovich   编剧：

主演：Natalia Bessmertnova

　　本版是夫妻档合作，导演为前苏联莫斯科大剧院前团长Yuri Grigorovich，主演为该团前首席即Grigorovich的妻子Bessmeonova

吉塞尔 Giselle

类型：

导演：Ross MacGibbon   编剧：

主演：Alina Cojocaru, Johan Kobborg

　　吉赛尔（Alina Cojocaru 饰）是一名非常美丽且单纯的农家姑娘，看林人希来里昂一直热烈的追求着她，但吉赛尔却并不喜欢这个小伙子。

法吉尔 Fazil

类型：剧情片电影, 爱情片电影

导演：霍华德·霍克斯   编剧：Pierre Frondaie, 菲利普·克莱因

主演：查尔斯·法莱尔, 格蕾塔·尼森, 约翰·博尔斯, 梅·布希

　　Considering all the critical attention Howard Hawks has received over the years it's rather surprising that this film, the sixth he directed, is so little known. Admittedly, FAZIL is not at all typical of Hawks' work and lacks most of his recognizable directorial motifs, and on top of that features stars whose names only buffs will recognize, but it's a beautifully filmed, sumptuously mounted late silent drama that's worth seeing for its production values alone. For viewers of our era the most striking aspect of the film is that its story is based on a culture clash of West vs. East, specifically, the difficulties that arise when a European (presumably secular) woman who prides herself on being 'free' and modern marries an Arab man who follows the old ways and is a devout Muslim. This material lies in a danger zone that Hollywood has rarely ventured into, even in recent years, and while to our eyes FAZIL is quite dated and very much a product of its time in its depiction of Arabic culture, it's nonetheless surprisingly even-handed in presenting both sides of the case in a painful divide that, needless to say, is still with us.
　　Two things make FAZIL distinctly un-Hawksian in comparison with most of the director's later work: the emphasis is on the central romance throughout, with only very brief action sequences, and the ending is tragic. Once our lovers meet in Venice we are given many long, languid close-ups of Fazil (Charles Farrell) exchanging looks of adoration with Fabienne (Greta Nissen). They fall in love at a dance --a hint of tragic foreshadowing for Shakespeare devotees-- and then share a gondola ride while the gondolier sings the film's theme, 'Nights of Splendor,' courtesy of the film's pre-recorded Fox Movietone score. But almost as soon as they are married the culture clash begins, and we never get a sense that the two will manage to overcome their differences: they have entirely opposite notions of what marriage is supposed to be. Fazil believes that love is possession, that a husband commands his wife, and he has no intention of adapting to Western customs, while Fabienne, who is French, considers herself a liberated woman and chafes under Fazil's possessiveness. Neither will compromise. Soon it's clear that tragedy lies ahead, and it's just a question of what exactly is going to happen and when.
　　However daring it may have been for Hollywood to tackle this subject matter in 1928 the prospect of an actual Arab actor taking the title role was apparently out of the question, so handsome young Charles Farrell was cast in the lead. They gave him a pencil-line mustache and darkened his skin slightly, and that was considered sufficient. Farrell gives the role his best shot although he's obviously no more Arab than Barry Fitzgerald. His performance is generally restrained and seems to improve as the film goes on, that is, after an early scene in which he indulges in unfortunate eye-popping histrionics when he first sees his leading lady. The beautiful Greta Nissen, who was Norwegian, might not have gotten this role in a talkie but she's perfectly well cast here, and gives a sensitive, nuanced performance. Both Fabienne and Fazil have their faults but neither is presented as the villain of the piece, which is refreshing but also deepens our sadness and frustration as their relationship falls apart.
　　This film isn't for all tastes, and Howard Hawks fans familiar with his later work may wonder if it was truly directed by the same guy who made THE BIG SLEEP and RIO BRAVO, but for viewers willing to adjust to a more romantic (even 'soapy') sensibility this is a movie well worth seeing, especially for those interested in the culture clash issues at the heart of the story, and in the way Hollywood has portrayed the Arab world. Film buffs interested in the late silent era will most definitely want to give this one a look.
　　FAZIL is a slow paced film about an Arab prince falling in love with a French blonde bombshell. The culture difference between modern Paris and the old culture of the primitive hot desert makes marriage life difficult for the characters played by Charles Farrell and Norwegian blonde Greta Nissen. FAZIL was distributed as the sound era was breaking its silence and the film seems a bit old fashion for its time. But Fazil has some beautiful close ups of its stars and the music throughout is moody. Worth seeing for Howard Hawks direction and a glimpse of Nissens beauty. Apparently Hawks had problems convincing Farrell and Nissen to make their love scenes more steamy. So he toke them both aside and told them separately to get busy. The advice paid off. Next project for Greta Nissen was as leading lady in Howard Hughs HELLS ANGELS which first was filmed as a silent. He decided to re-shoot the dialog with sound but Nissens heavy Norwegian accent did not fit the role as an English Lady. She was replaced by newcomer Jean Harlow. FAZIL was thought lost, but has surfaced and become in demand at various film festivals.

吉赛尔 Giselle

类型：

导演：鲁道夫·努里耶夫   编剧：

主演：Lynn Seymour, 鲁道夫·努里耶夫, Monica Mason

　　Filmed in a studio for the English television channel ATV in 1979; this version of Giselle with Lynn Seymour was made a little late in Nureyev’s career. Only account on film of the unabridged version of the ballet with Nureyev.

加尔吉 Gargi

类型：剧情片电影, 惊悚片电影

导演：Gautham Ramachandran   编剧：Hariharan Raju, Gautham Ramachandran

主演：赛·帕拉维

　　年轻漂亮的女教师加尔吉正沉浸在即将结婚的甜蜜气氛中，她的父亲突然被指控参与强奸9岁女孩，她踏上了一场证明父亲清白的艰难之路。