经典-搜索结果
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经度 Longitude
导演:查尔斯·斯特里奇 编剧:Dava Sobel, 查尔斯·斯特里奇
主演:查尔斯·格雷, 杰弗里·哈钦斯, 约翰·内特尔顿, 约翰·昆汀, 安德鲁·斯科特, 约翰·斯坦丁, 马克·坦迪, 皮特·沃恩, 大卫·伍德, 约翰·伍德, 杰玛·琼斯, Eliza Darby, Peter-Hugo Daly, Joel French, John Leeson, Matt Humphrey, 尼克·雷丁, 罗格·洛伊德-派克, Peter Penry-Jones, 托比亚斯·门基斯, 查尔斯·爱德华兹, 克莱夫·弗朗西斯, 本·琼斯, 亚历克·马克温, 盖瑞·沃尔东, 杰瑞米·艾恩斯, 安娜·钱斯勒, Emma Kay, 萨缪尔·韦斯特, 伊恩·麦克尼奇, 迈克尔·刚本, 伊恩·哈特, 比尔·奈伊, 布莱恩·考克斯, 芭芭拉·雷吉-亨特, Colin McCormack, 达拉·奥马利, 萨莎·黑尔斯, 蒂姆·麦克纳尼, 约翰·诺明顿, 皮普·托伦斯, Frederick Treves, 罗斯·基冈, 休·西蒙, 露西·阿科斯特, 尼古拉斯·罗尔, 海克·玛卡琪, John Quayle, 詹姆斯·布雷肖, T·P·麦肯纳, 莎拉·巴德尔, 伊安·布尔费尔德, 阿尔弗雷德·布尔克, 彼得·卡特赖特, 崔佛·库珀, 乔纳森·考尔, 奈杰尔·达文波特, 弗兰克·芬莱, 斯蒂芬·弗雷
说到经度,我们可以回忆小学的课堂,老师拿着地球仪给我们讲解的情景。那么这部名叫“经度”的电影会讲述怎样的故事呢?
其实这部电影讲了两个故事。 -
典型
类型:
导演:郭熙志 编剧:
主演:
学校想以她为主角拍摄一部纪录片,宣传她的典型事迹。在习惯性的期待下,媒体希望她成为典型;学校希望她成为典型;她的母亲同样希望她成为典型。而她一直与这些期待较着劲,有时到不近人情的地步。
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神经质 Nerven
类型:剧情片电影
导演:罗伯特·莱纳特 编剧:罗伯特·莱纳特
主演:爱德华·冯·温特施泰因, Lia Borré, 埃尔娜·莫雷纳, Paul Bender, Lili Dominici, Rio Ellbon, Margarete Tondeur, Paul Burgen
在《神经》中,编剧、导演和制片人罗伯特-莱纳特试图捕捉战争和苦难造成的 '神经流行病',这种流行病 '让人发疯'。这部描绘 1919 年德国生活的独特影片在慕尼黑取景拍摄,描述了社会各阶层不同人群的案例: 在灾难和社会动荡中失去理智的工厂主罗洛夫、成为群众英雄的教师约翰和变成激进革命者的玛尔亚。慕尼黑电影博物馆利用不同的片段,重现了这部被遗忘的德国经典影片,它是一部历史文献,并预示了 20 世纪 20 年代表现主义电影的元素。
原文简介:
In Nerven, writer-director-producer Robert Reinert tried to capture the 'nervous epidemic' caused by war and misery which 'drives people mad'. This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.
Having a more complete version of Nerven available is a wonderful contribution to our understanding of film history. The standard version was known to very few students of cinema, and though it was impressive, it was somewhat incoherent. We are still lacking a lot of footage, but Stefan Droessler and his team have added what they could and arranged the sequences into a more intelligible order. The quality of the restoration, moreover, makes the film's visual style even more vivid and unsettling.
Released shortly before The Cabinet of Dr. Caligari, Nerven ought to have entered the Expressionist canon. Its themes echo the movement's post-Romantic attack on capitalism and the modern conception of the anguished soul. Its narrative plays out the implications of such icons of Expressionist art as convulsive crowds and men's homicidal urges toward women. Just as important, the film's pictorial design finds an original way to convey the tale's emotional tenor, the sense of nervous anxiety strung ever tighter. Significantly, Reinert achieves a unique look without recourse to the painted sets of Caligari, but through a unique use of other cinematic resources.