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德国人及其男性：来自波恩的报导 Die Deutschen und ihre Männer - Bericht aus Bonn
“I’m looking for a man!”, echoes from the Drachenfels across the Rhine. The Lorelei named “Lieschen Müller” from Austria has to vie for attention if she wants to be noticed by the men of the West German capital, Bonn. But in the end, tourists and visiting businessmen, as well as a haberdasher, are just as happy to talk to her about their preference in ties, as a taxi driver and...
爱是一切恐惧的源头 Der Beginn aller Schrecken ist Liebe
How can a woman love a man without denying herself? Can two women love the same man without tearing each other apart? Can a man love two women without lying? What dilemmas will families and friends of the parties involved have to endure? To this day these are recurring and often painfull questions.
主观性 Subjektitüde
"Subjektitüde" is one of Sander's early short films shot in the mid-late 1960's. Her social-critic, feminist standpoint can already be seen here, and the film also holds up well today with its nihilistic, not-compromising, lyrical approach, reflecting the mentality of the youth of that era.
全面退化的人格 Die allseitig reduzierte Persönlichkeit - Redupers
德国女导演海柯·桑德尔（Helke Sander）出演片中的女主角艾达 - 一个女人、一个摄影师、一个单身妈妈三天的遭遇，在一个特殊的历史时间和地点 - 1977年3月的柏林。艾达是幸运的，也是不幸的。幸运的是拮据的经济状况和生活的压力并没有击垮这个坚强的女人，她依然选择了以一种相对自由和独立的方式去实现自身的价值，在努力工作之余她并没有放弃自己想拍的东西，女性维权示威游行、徘徊街头的乞丐、被推倒的建筑和墙上的涂鸦都是城市最真实的一面……