The last films for cinema by Alexander Kluge. Both tell about a dozen stories which complement one another by creating a context. The Blind Director: A young doctor feels that she is redundant. People hurry around. A family sits in front of the computer as if it were a fire in the hearth. A kindergarten teacher is supposed to turn a child over to its legal guardians. The blind ...
四名女子在狱中组了一个乐团,是她们用音乐摆脱监狱的桎梏,在一次前往警方舞会中表演的途中,她们企图逃脱,并且摇滚传达她们心灵深处最深的呐喊,在警员的严密缉捕下,班迪斯乐团一次又一次地逃过警方的围捕一路逃亡、演唱,很快就声名大噪,然而支持者的拥护,却不能换来自由,就在穷途末路之际,各自逃亡的她们又再度聚合,只为一次完美的演唱,在整个逃亡过程中,友谊的彰显,人性的考验,历历在目,全篇故事摇滚有余,亦为公路电影老调新唱。
Propaganda movie disguised as a history drama about the Life of Karl Liebknecht. This is the follow up to "Solange Leben in mir ist" that the same director shot in 1965.
The film tells the story of Julka and Julie in a very poetic way, who met in their youth and fell in love. Social conventions made it impossible for them to live this love. When the two women meet again after more than 50 years, the feelings of new ones ignite.
德国社会主义政治家卡尔·李卜克内西的传记以及他对第一次世界大战的战斗
一段发生在一家国营建筑公司里头的三角恋爱:愤世嫉俗而又魅力十足的工头Hannes Balla,唯唯诺诺的支部书记Werner Horrath(已婚)以及事业和爱情两不误的女建筑师Kati Klee。该片因其反英雄性质的主人公和对社会现状的批评与揭露在拍摄时就引起党内高层领导的不满,勉强公映后五天即遭禁演,直到1990年才得以重见天日,并被评为东德影史最佳之作。