芭芭拉·汉默-搜索结果
Pools
An experimental work in which two women take turns filming each other as they swim through the pools of William Randalph Hearst's estate of San Simeon.
奉献 Devotion: A Film About Ogawa Productions
奇怪的小川攝製組吸引了美國導演芭芭拉．漢默的注意，她希望呈現攝製組對政治抱負的深思，和社運藝文團體的兩性互動。在這部奇特的作品中，為表現攝製組成員的個性，小川電影的影像不時穿插著，就像是他們的家庭影帶。漢默以女權者、外國人、導演的身分，選擇了不與對象站在一起的方式「解構」小川紳介。
超级黛客遇见X女士 Superdyke Meets Madame X
From the first kiss to breakup, Almy and Hammer record their relationship on a reel-to-reel ¾” tape recorder and microphone. Winner of the Louise Riskin Prize at the 1976 San Francisco Art Festival.
A MONTH OF SINGLE FRAMES
In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshak which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She g...
硝酸盐之吻 Nitrate Kisses
《硝酸鹽之吻》透過30年代德文旁白的紀錄片與現代1993美國第一部同志片的影音對話，讓觀眾不論是異性戀或同志族群，都想要收集自身週遭的吉光片羽，以嶄新的能見度看同志族群的昨日與今日。
身体为证 Evidentiary Bodies
透过芭芭拉・汉默尔私密又深具政治性的影像语言，让我们深深记住她匍匐于胶卷之间的身影。
马非隐喻 A Horse Is Not a Metaphor
2010年柏林影展泰迪熊最佳短片得奖作品。导演以自传体记录自己在三期卵巢癌手术后，接受化疗以及重新茁壮（复健）的过程。导演重新采用她在实验影片中熟悉的迭影方式，交迭融合她在化疗时期虚弱的身体与重新茁壮时期的日常细节。她在科技医疗环境中一步步接受化疗的过程，在女画家乔治‧欧基芙生前作画的农场及怀俄明草地骑马也在纽约树林溪流间裸体漫步领受与大自然合而为一的美妙，影片刻画她对动物的情感、对生命的礼赞。实验音乐作曲家梅芮迪斯‧蒙克的配乐透露时而透露生命险峻，时而抒发生命惊喜，而导演再度运用自己的身体作为影片的主要元素，反身自省，为自己，为女同志生命，为一个乐观女性主义者写传。
摄女纪事：世代传承 Generations
Generations is a 30 minute16mm film about mentoring and passing on the tradition of personal experimental film making. Barbara Hammer, 70 years old, hands the camera to Gina Carducci, a young queer filmmaker. Shooting during the last days of Astroland at Coney Island, New York, the filmmakers find that the inevitable fact of aging echoes in the architecture of the amusement par...