幽灵地层 Ghost Strata

　　In the opening sequence, a girl reads the director’s Tarot cards that will name the subject of his film: “your relationship with time”. But what else? There are only two pitfalls to guard against when keeping a personal diary, either written or filmed: narcissistic complacency – “the strange conviction that one can observe oneself and that one must know oneself” (Blanchot) – an...

这儿的树 Trees Down Here

　　In this short film of Cowan Court, Rivers has turned his camera onto the interactions between architecture and landscape within which the students of Churchill College, University of Cambridge live and work.

A Distant Episode

驱除黑暗的魔咒 A Spell to Ward Off the Darkness

　　从异教徒的重新演员到失败的公社，到北极隐士的黑色金属节日，到北极光的永久黄金时间，“驱除黑暗的咒语”是对一种日益世俗的西方文化中精神存在的可能性的探究。在最好的意义上，一种参与式人种学，一种将非行动者的行为编排在现有的斯堪的纳维亚景观中，以努力达成一份过去、现在和未来的混合文件;它是一种经验的记录，它提出相信超越是活在当下的一个可行的结果

海上两年 Two Years at Sea

　　The film documents the solitary existence of Jake, a man who lives in isolation in the middle of the forest in remote Scotland. It follows the character's unconventional life, capturing moments of profound beauty. Jack is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years ...

林中空地 Bogancloch

　　《Bogancloch》将继续电影制作者与杰克·威廉姆斯之间的长期合作项目，杰克是一位在过去四十年里一直居住在克拉辛达罗奇森林中心的男子。这部电影将介于虚构与纪录片之间，展现他日常生活的方方面面，同时穿插着更多虚构甚至带有梦幻色彩的情节构建，其间会出现其他角色，比如一群唱歌的徒步旅行者。影片将在一间教室里拉开序幕，杰克正在教授一项看似宇宙科学的实验，最后则会延伸至浩瀚的宇宙之中。在这过程中，会有火焰、雪花、雨水、路杀动物以及其他意想不到的事物出现，所有这些都将使用黑白的16毫米和35毫米胶片拍摄，并采用手工处理技术。这一技术层面的选择与杰克的环境相契合——它是物质性的，对偶然性和机遇开放，并且不避讳尘土。

天颤地惧，两眼非兄 The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers

　　《在海上的两年》导演本·里弗斯新作，导演本·里弗斯在随行奥利维尔·拉克谢（本片男主角）的《含羞草》剧组时，借用《含羞草》剧组即兴拍摄的一部实验性电影，故事设定在摩洛哥的撒哈拉沙漠，用现实主义的方式拍了个特别离奇的寓言故事

After Work

　　A collaboration between filmmaker Ben Rivers and sculptor Céline Condorelli, with contributions by writer and artist Jay Bernard, After Work blurs boundaries between labour and leisure using nimble essayistic encounters that are as suggestive as they are concrete.

乐土迢迢 There Is a Happy Land Further Away

　　Ben Rivers reveals the internal magic of life in the Vanuatu archipelago before it was devastated by Cyclone Pam. This meditative look at a distant world, where the fleeting lives of the native inhabitants come up against the perpetuity of capricious elements, is enhanced by recited verse from Henri Michaux.

稀有事件 The Rare Event

　　Shot in a creaky, wooden-floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of “Resistance” (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983 “Les Immateriaux”), occasional collaborators Ben Rivers and Ben Russell have produced what initially appears to be a structuralist document o...