Shot during Mary Stephen’s time in Canada, Labyrinthe is an experimental spellbinder. Two girls, one Caucasian and the other Asian, are dressed in identical attires, loitering in, bumping along and leaping up and down labyrinth-like cross-cutting corridors where religious and social contexts overlap. Traversing between art and intellectual spheres of East and West, Stephen and ...
资深剪辑师雪美莲,总纳闷自己到底姓史蒂芬,还是姓雪、姓陈?明明亚洲脸,又非混血,怎取洋人姓?一查不得了,父亲竟来自澳洲!母亲曾有文学梦,似还牵涉弗吉尼亚·伍尔夫侄子的中国恋情?
This lyrical film diary chronicles a westward “pilgrimage” Stephen made, together with her partner John Cressey, at the end of her studies in Montreal, in the summer of ’74. As she contemplates the impetus for the journey, her camera surveys a variety of side-of-the-road attractions, snowy mountain vistas, and grassy knolls studded with cheerful fellow roadtrippers.
An accomplished film editor who went on to forge a long creative partnership with none other than Éric Rohmer, Hong Kong–born Mary Stephen’s 1978 debut feature announced her as a director to watch in her own right. Suffused with alluring atmospherics and a slight air of the oneiric, Ombres de soie traces the relationship between two Chinese women in Shanghai in 1935; through gl...
A Very Easy Death is a profoundly moving end-of-life account of Stephen’s mother passing away in a hospital. Taking inspiration from Simone de Beauvoir’s masterpiece, Stephen’s finely nuanced portrait of bereavement, takes the viewers metaphorically through songs and images.